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'The Foreigner' is a comedy with an underlying message

By BILL BUELL

Larry Shue's 1983 play, "The Foreigner," is usually described as a farcical comedy, but like most timeless pieces of work it offers a whole lot more than just a few laughs. "I think it's a play about feeling alienated because you're a stranger, and I think most of us feel something like that sometime in our lives," said Dan Kelly, who plays Charlie Baker, the main character in Shue's play, which is being performed by the Curtain Call Theatre in Latham beginning at 8 p.m. Friday and running through Oct. 7.

"I was laughing out loud when I first read the script, but it's also a serious coming of age story. It's about a man who goes through a major change in his life."

In Shue's play, Charlie Baker is a painfully shy British citizen who comes to Georgia for a vacation with his good friend, Froggy. When Baker's shyness makes it difficult to express himself, Froggy explains to everyone that his friend is a foreigner from an exotic country and doesn't understand English.

"There are a number of farcical elements in this play, but the characters are more three-dimensional and not just driven by circumstances," said Marna Lawrence, who is directing the production. "There's much more character development in this play than your regular comedy, and it has a timelessness to it. It's a very special play."

relevant today
Shue's work is also relevant to what's going on in the world today, according to Lawrence.
"It parallels some very heavy questions about immigration," said Lawrence, who was born and raised in New Jersey before moving to the Capital Region to teach at the University at Albany nine years ago. "It's about people accepting someone who's not from this country. Having spent some time in the South, I definitely got that feeling, a sense that people were staring at you because you weren't from there. It's a very complex issue."

Shue, a playwright and actor who was born in New Orleans and grew up in Chicago, was killed in a plane crash in Virginia in 1985 at the age of 39. In 1981, his play "The Nerd" was a hit on Broadway, and two years later he had another smash in "The Foreigner." Although it never made it to Broadway, his second play won two Obie Awards as best off-Broadway production and best new American play, and became a staple of regional and community theaters around the country.

"I always liked the show, and it's always been on my list of shows that I've wanted to do," said Curtain Call founder and artistic producer Carol Max. "I never saw it, but I've talked to a lot of people who have, and they all said that it's one of those shows that seem to ring true time and time again, no matter what the circumstances in the world are. There's a lot of humor, but there's also a message."

Kelly grew up in Granville in northern Washington County and went to school at The College of Saint Rose and the University of Texas. The theater was always a big part of his life but for most of the past 13 years his job in the state tax department had taken up most of his time. He got back into the theater by doing behind-the-scenes work for Theater Voices in Albany. Last year he landed a part in Curtain Call's production of "Wait Until Dark," and earlier this year he played Mr. Braddock in The Theater Barn's production of "The Graduate."

Kelly took some acting lessons from Curtain Call resident director Steve Fletcher and also attended a workshop offered by Alan Arkin last summer at the Omega Institute in Rhinebeck. Both experiences helped him prepare for his role as Charlie Baker.

"I don't think I've played a leading role since I was a teenager in the '70s," said Kelly. "I was willing to play any male role in this play because there aren't any small roles. Every actor on stage is involved in the plot. So I didn't feel any great sense of trepidation about taking this part. I knew it was be a big task, but I feel comfortable doing it."

other characters
Albany physician Ted Zeltner plays Froggy, while also in the cast are Jack Fallon, Chris Cook, Ian LaChance, Aubrey Tighe and Rie Lee.

"There are seven characters and it seems like five or six of them are on the stage at the same time," said Lawrence, who also directed "Death Trap" and "Visiting Mr. Green" at Curtain Call. "I'm a very detailed-oriented director. So the rehearsals were a bit of a challenge. But I love doing play analysis and dealing with a script. I love directing."

"There was a great deal of blocking to learn, and despite the fact that I don't say that much early in the play, there are still a lot of lines, a lot of dialogue for me to learn," said Kelly. "When all those other characters are on stage, and I'm pretending to be learning English, I have to remain in character. When everybody else is talking, I still have to convey my character to the other actors and the audience. Fortunately, Marna has a lot of experience as a director and she's been very helpful."

 
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